
Don’t take offense, Muscovites. The subway riding dogs have made Moscow famous. We have seen this canine phenomenon on TV. Moscow is a city of dogs. There are two classes. Much like the city’s underclass inhabitants, those affected by the need to move out of the modernizing city can still be seen in vagabond packs or stalking alone, scheming to survive, begging,. But now they ride the metro.
They sleep in the suburbs and shop in the center. Russian scientists say that Moscow stray dogs became much smarter. Once they arrive to the downtown they demonstrate different new, previously unseen dog skills. They know how to scare people into dropping their hotdog. They don’t miss their stop while going on the subway. Biologists say dogs have very keen sense of time which helps them not to miss their destination. Another skill they have is to cross the road on the green traffic light. “They don’t react on color, but on the picture they see on the traffic light”, Moscow scientist tells. Also they choose often the last or the first metro car–those are less crowded usually.
There is of course the upper class of dogs, the canine elite, who walk their masters, regardless of rank, in the parks each morning and evening. (In my book, see the essays Dogs and My Name is Dog in the Essay Collection.)
But then there is the big picture. Moscow is a masculine city. It has muscle. It is an exploding powerhouse of opportunity held together by threads of personal energy and ambition. It is a beehive of lives stacked twenty stories high, living the happiness and sins of people anywhere—only at the extremes Moscow hardly sleeps. It has a burly aggressiveness unique in Europe. In time, Moscow is destined to be one of the great cities of Europe. The one word that describes Moscow is power.
With an energy unmatched anywhere else in Russia, Moscow is a sprawling, brawling, dynamic throng of eleven million people embracing dozens of races, speaking scores of different tongues and struggling to make enough rubles to survive. Not only are there two Russias, there are two Moscows, one whose people thrive and one whose people strive to survive. Not far outside the latest Outer Ring, you might think in some ways it is still the 1930s. And then there are the dogs. Maybe there are three Moscows.
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St. Petersburg is a city of cats. From the streets at night, you can see their shining eyes, peering through the arches from the inner decay of “Dostoevsky’s St. Petersburg,” the faceless blocks of communal flats behind the Italianate buildings on the main streets. The cats hang comfortably in the dead trees, dine elegantly in the overflowing garbage, sit regally on the broken steps. In front of our office, in the winter, the last car to park was identified by the presence of the cats, healthy and fat, curled up on the warmest hood.
Petersburg is a proud city which keeps itself as different from Moscow as possible. On one hand it disdains the crass commercialism, the naked power of Moscow and on the other is jealous for some of it. But with Messers Putin and Medvedev and their colleagues from the city, changes are taking place.
St. Petersburg is a feminine city. She is an elegant and noble woman sitting draped with the jewels of her youth waiting for her prince to return. It is the most beautiful Italianate city in Europe. This “Venice of the North” with its symmetry, canals, architecture, statuary, museums, performing arts, palaces, gardens and languid summers with endless days make it a city never to be forgotten.
St. Petersburg is all things, but one wonders at times if it really exists. Beneath the 300-year-old veneer of classical European architecture and fantasy lies the decrepit relicts of communal communism, the “the Dostoevsky St. Petersburg”―and the satisfied cats. To me, it is the most thrilling city in Europe.
(Moscow is a city of dogs. Stay tuned.)
Read more about St. Petersburg. Buy the book here “Walking on Ice, An American Businessman in Russia”
Tags: cats, Dostoevsky's St. Petersburg, Moscow, St. Petersburg, Venice of the North, walking on ice
About Fred, Intercultural relations, Literature, Russian Life, The writing process, Uncategorized, Walking on Ice | fred |
July 13, 2010 3:32 pm |
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These two cities define what most see of Russia, and they are so different, yet in some ways the same. They have forever been in contest with each other, and are today.
Moscow is a masculine city. It is an exploding powerhouse of opportunity held together by threads of personal energy and ambition. It is a cocoon of lives stacked seven stories high, living all the happiness and sins of people anywhere – only at the extremes Russians are so capable of. Moscow hardly sleeps. It has a muscular aggressiveness unique in Europe and traffic jams that make Los Angeles look easy. The one word that describes Moscow is power.
St. Petersburg is a feminine city. Her historic personality is as an elegant and noble woman sitting draped with the jewels of her youth waiting for her prince to return. This “Venice of the North” with its symmetry, architecture, statuary, art museums, performing art, palaces, gardens and languid summers with endless days make it a city never to be forgotten. St. Petersburg is not Russia; it is the historical myth of Imperial Russia.
Moscow is a city of dogs. There are two classes. One can be seen in vagabond packs or stalking alone, scheming to survive, begging, much like the city’s underclass inhabitants. The other is the canine elite, who walk their masters, regardless of rank, in the parks each morning and evening. The disenfranchised class lurks around the apartment blocks sniffing the garbage for anything to swallow.
St. Petersburg is a city of cats. From the streets at night, you can see their shining eyes, peering through the arches from the inner decay of “Dostoevsky’s St. Petersburg,” the faceless blocks of communal flats. The cats hang comfortably in the dead trees, dine elegantly in the overflowing garbage, sit regally on the broken steps. For some reason, the cats always look healthy and fat.
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Tags: Chamber Orchestra Kremlin, Dostoevsky, Los Angeles/St. Petersburg Sister City committee, Mariinsky Theater, Moscow, Moscow Metro, Shostakovich Grand Hall, St. Petersburg
Books by Fred Andresen, Literature, Photography, Russian Life, The Arts, Uncategorized, Walking on Ice | fred |
February 23, 2010 5:01 pm |
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“You know the fact! I am the best. I wear Levis and Nikes”
An unknown Russian boy
These words were scribbled by a child in small English letters on the yellow brick wall of a residential Moscow building near where I lived in 1994. That says more about the future of Russia than any academic think tank with their computer generated prophesies based on arguable statistics. There is the quest for global status in those scribbles of the young. And in the end (and the end may be down the road a bit) it is the young that count. That is where the promise lies—with those who can wear Levis and Nikes and still be Russian. That is “the fact.”
On one of those early post-Soviet days, walking down the Old Arbat, just after Mayor Luzhkov had banned the street kiosks and the pandering of KGB uniforms and Lenin T-shirts, I was approached by a small boy with a big bag. The boy, about ten, furtively looked over both shoulders to assure no police were watching, and pulled out of his plastic bag a matryoshka doll so badly painted I thought it was done by a dyspeptic. He said in near perfect English, “Look at this beautiful matryoshka doll, only $5.99.”
I said, “This is the ugliest matryoshka doll I have ever seen.”
“Then how about $4.99?” he snapped back.
“No, you could not pay me to take this doll.”
He quickly dropped it back into the bag and pulled out an equally ugly lacquer box, smiling, “Then how about this beautiful box.”
“That is worse than the doll. What is your name?
“Peter.”
“Well, Peter, you tell the guys who sent you out with this trash to give you really good dolls and boxes and you will make them and you rich.” He puffed up with pride and looked over his shoulder again to see if his mentors were watching. I continued, “When you grow up, you come see me, and I will give you a good job, because you are a great salesman.” He stuffed his ugly box into the bag with the ugly doll and ran off to tell his bosses of his promising future. That boy will go far in the new Russia—or anywhere.
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